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Know the Basics of Antique Clock Identification

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A four page report detailing what to look for in assessing a Antique clock, yours free for the asking! Order your copy today, or for our on-line browsers, read it here and now.



INDEX

Preface

6. The glass

1. The case

7. The label

2. The overall appearance

8. The pendulum

3. The dial

9. The movement

4. The dial bezel

10. The conclusion

5. The hands




KNOW THE BASICS OF ANTIQUE CLOCK IDENTIFICATION

Pat Morrell PATzCAT@CtClocksandTime

Preface


Most, but not all, clock styles have been reproduced by many makers. Some have been copied in almost exact detail. Here is where the buyer must have some form of knowledge as to what he or she is looking for.When there is reproduction with intent to mislead or defraud the buyer, including the marking of the case, cabinet, dial, or movement with the name of a famous maker, it is counterfeiting. Careful examination is required to detect this type of abuse. Not infrequently, movements, dials and other elements of a clock have been removed from damaged cases and installed in ones of the same or different style that are in better condition. The resulting clock is called a marriage, and these clocks are widely sold to the unsuspecting buyer. I should also note that many artful mass-produced reproductions of older American clocks were imported from Korea during the 1970s. The movements or cases of these clocks were hardly ever marked, except occasionally with a self adhesive label, imprinted with the word "Korea". With the passing of time, such labels have either separated or been removed from these clocks, making them more difficult to distinguish from the originals. One further thought should be made, and that is, in repairing a movement, some owners have replaced original movements with these comparatively inexpensive reproduction movements, available today in most clock catalogs. The worst case being installing a battery operated quartz movement. These practices may severely reduce, or even completely destroy the value of an otherwise collectible clock. It is with this understanding and context, that I offer the following key steps in identifying a good antique clock, for as long as the clock is not misrepresented as such, it will still have a value.


1. The case


This is usually our first eye contact when looking at a clock, if the case is made of metal, marble, or porcelain, the main thing we should be concerned with, is looking for cracks, chips, re-painting, or repairs to the surfaces. If the case is made of wood, a closer examination is necessary. As with all things, age also has its effects on wood. If this wood looks new, like a piece of today’s furniture, then the clock is not old. If the wood is a veneer finish, look closely at the surface for signs of bubbling, pealing or separation at the seems. In the case of solid woods, look for a dull glossy finish, or if it has been shellacked or varnished, look for signs of crackling on the surface. These are all signs of aged wood. Beware of wooden clocks that have been stripped and refinished, also note that each piece of wood should look identical in finish to all the other pieces of wood on the clock.


2. The overall appearance


Our next step should be to look at the clock in general. Does the dial, hands, glass and other components of the clock look in proportion to the case? Look at all the sides of the clock, keep an eye out for extra holes in the case. A lot of old clocks had feet, finials, or decorative tops added to them, are they missing? Look at the back of the clock, is it a solid back with no extra holes? Extra holes here could mean it has a replaced movement, or a missing alarm mechanism. The only reason I would consider one or two extra holes in this area would be that the clock was nailed or screwed to a wall, in which case the hole would be visible through the front of the clock. Finally look at the screws and nails used on the clock. Squarehead nails are signs of old times compared to roundhead nails which are more modern, much the same as flat tip screws are older than Philip head screws. Also note that flat tip screws always shows signs of rust. They didn’t have stainless steel or galvanized screws in use back then.


3. The dial


A few extra minutes here will help you to determine if the dial is original to the clock, or if it is a replacement or reproduction. First make sure the dial is centered over the clock movement, with the numbers 12 and 6 lined up straight down the center of the clock, then check that the winding holes are centered over the winding arbors. Look for signs of wear around the keyholes, here again, age leaves it’s marks. It is easy to tell the age of a wooden or paper dial, but in the case of a porcelain dial, a good eye is all you have to go on. Now look closely for any identifying trademarks or names especially at the bottom of the dial. It is usually here were we will find the manufacture and country of origin.


4. The dial bezel


The brass ring around the dial which retains the glass or “door” of the clock face, is referred to as the dial bezel. A lot of earlier clock manufacturers used to stamp in this area a name or patent date. If found, these markings add to the value of the clock, in terms of identifying or dating it.


5. The hands


In this area of a clock, only a lot of experience with similar clocks of the same type, will you be able to tell if the hands are original to the clock or not. There were various shapes and styles used during different periods of time, thus only by comparing them to catalogs or similar clocks can one tell the difference. The main concern for the buyer here is that the two hands are similar in appearance and fit the dial proportionately, meaning that the minute hand is longer than the hour hand, and follows the outside time tract of the dial. Here also we should note what holds the hands onto the movement. Older clocks used a small tapered pin through the center of the shaft, where as more modern clocks used a threaded nut. This is not to say that if you see a nut, that the clock is not an antique. French and Swiss clock makers developed threading long before American clock makers.


6. The glass


Probably the most replaced item on a clock, besides the original key, is the glass. Accidents and breakage are bound to occur over the years. My only focus here is to point out that a lot of old clocks are still retaining their original glass. This can only mean an added value to the clock. Older clock glass is readily visible from newer clock glass. First look at it from the side, it will appear wavy and uneven compared to new flat glass. Upon closer examination, you will notice bubbles or flaws imbedded into the glass itself. Also take note of what retains the glass in its housing. Broken or new wood strips indicate replacement. In the case of stenciled or painted glass panels, again age tells the truth, look for crackling, peeling, or voids in the pattern, from years of cleaning. One further note, is that better quality clocks used glass with beveled edges.


7. The label


The majority of clocks manufactured are undated, and to most buyers, the age of their prized clock is an important factor. Fortunately a lot of American manufacturers affixed a label to their clocks, either on the backboard or inside the case. Labels usually bear the name and address of the maker, and sometimes the model of the clock. In a lot of cases, it also carries the name of the printer who made the label. With this information, American clocks can usually be dated within a few years of when they were manufactured. Labels are readily reproduced and sold, so here again look closely at your label, and say to yourself, what effect would 100 years have on a piece of paper?


8. The pendulum


Once again, much like the hands of the clock, only a lot of experience viewing catalogs and similar clocks, can one tell if the pendulum is original to the clock. As long as the clock keeps good time and the pendulum is hidden, no further thought should be given to this area. How ever, if the pendulum is visible, then it becomes a focal point as to if it is the original one. Again age plays a major role in your evaluation, if it looks right for the clock, then accept it as such.


9. The movement


This is where we come to the heart of the clock. All movements have what they call a front plate and a back plate. The majority of manufacturers either stamped a front or back plate with their name or trademark. Most movements stamped on the back plate are easily viewed through one type of an opening or another. However, movements stamped on the front plate, are generally hidden from the eye of the buyer. It is here where I recommend that you deal directly with the seller, and request that the hands and dial be removed for viewing the movement. I know this is a lot to ask of the seller, but it is the only way you can guarantee that the movement is original to the clock. Movements not original to a clock usually show that the mounting holes do not match up. Careful inspection in this area will reveal extra screw holes in the case. The mutation may appear authentic, but believe me it is not. One further note is to look at how the two plates are joined together, here again, tapered pins joining the plates indicate an older time frame, then threaded nuts joining the plates.


10. The conclusion


Now that we have viewed our clock from the outside in, it is time to make a determination as to if the clock is a valuable heirloom. If the markings on the dial, label, and movement are the same name or trademark, it is reasonable to assume that the clock is original and worth purchasing. Also if there were no other discrepancies found in your evaluation, then you truly will be purchasing a valuable heirloom to be handed down from generation to generation. Please keep in mind that if minor discrepancies were found, this doesn’t mean you should pass the clock up, just adjust the amount your willing to pay accordingly. Remember this, some types of clocks, you will rarely see twice in your lifetime. It is here that I hope enough knowledge has been supplied, to provide you with a pleasant purchasing experience. As in all things, “caveat emptor” ( Buyer Beware).



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